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Last week, I presented a paper at the conference ‘The Changing Experience of Time in the Long Nineteenth Century: Local, Regional, (Trans)National and Global Perspectives‘, held at the Centre for Transnational History of the University of St. Andrews (Scotland). My presentation was concerned with different models of historical analysis of the changing experiences and practices of time, especially with the so-called model of ‘temporalization’ which has been primarily championed by the German historian Reinhart Koselleck. Its title was:

Modern Times: Temporalization as a Concept of Historical Analysis

Also, I’m happy to announce that next month, I’m presenting other research at a conference ‘Populäre Geschichte und medialer Wandel zwischen Fortschrittsoptimismus und Kulturpessimismus‘, organized by the DFG-research group ‘Historische Lebenswelten in populären Wissenskulturen der Gegenwart‘ (DFG-FOR 875). This time, my topic will be a narrative of cultural interpretation that was quite influential at the end of the 18th century, which interpreted history as a slow evolution from a ‘poetic’ to a ‘prosaic’ mode of existence. The title of my presentation will be:

Vom poetischen Ursprung zur prosaischen Gegenwart: ein kulturanalytisches Geschichtsnarrativ im späten 18. Jahrhundert
(From poetic origin to prosaic present: a historical narrative of cultural analysis at the end of the 18th century)

I’m honoured to announce that after the Fazit-Stiftung, now the Geschwister Boehringer Ingelheim Stiftung für Geisteswissenschaften has also generously awarded me a grant towards the printing costs of my dissertation, to be published this year under the title “Zeichen des Verfalls. Semantische Studien zur Entstehung der Kulturkritik im 18. und frühen 19. Jahrhundert”.

Grant FAZIT-Stiftung

I’m happy and grateful to announce that the FAZIT-Stiftung has awarded me a generous grant towards  the printing costs of my dissertation (to be published this fall).

My courses for the summer semester 2012 are:

Political Assassinations in the long 19th Century (from Jean Paul Marat to Franz Ferdinand)
Even today, political assassinations are by no means rare. Time and again, individuals or groups decide to use targeted violence as a means to attack or even end a political order that is – in their eyes – unjust. Most often, the key factor in their choice of target is not just his or her political function, but especially their symbolic significance as the representative of a certain political system. The reaction to such events has always been highly controversial, such that at times, the assassins themselves (Charlotte Corday, Carl Ludwig Sand, John Wilkes Booth, Gavrilo Princip) subsequently became as famous as their victims. Taking our starting point from a number of European and American case studies, this course traces the history of the phenomenon of political assassinations in the ‘long’ 19th century. Beyond the individual histories of single (successful or unsuccessful) attempts, its focus will lie on the attempt to identify long-term developments and trends. In addition to the assassin’s methods, motives and goals, we will discuss the multifarious dimensions of impact and reaction in politics, the justice system, the media and the culture as a whole.

The Bielefeld School of Social History: History and Significance of a Historiographical Program
It is without doubt that the so-called ‘Bielefeld School’ of social history marks one of the decisive turning point in the history of (Western) German historiography in the 20th Century. In the 70s, a group of historians around Hans-Ulrich Wehler and Jürgen Kocka, voiced an opposition to the Historicism then dominant in the historical field. Instead of the traditional history of political events, their focus was on the theory based interpretation of long-term structural developments, a full fledge ‘history of society’. Even if this program of historiographical innovation was controversial from the start, it has unmistakably had a profound influence on historiographical writing in Germany and beyond. For all that, however, from the 80s onwards, the paradigm of social history, came under criticism – especially from the perspective of new varieties of so-called ‘cultural history’. Since then, new models of historiography – from discourse analysis to the history of everyday life, from gender history to the plurality of ‘turns’ – seem to have displaced social history as the discipline’s dominant paradigm. And yet, in recent years, many have argued for the integration of cultural and social history. Against this background, this course aims on the basis of several programmatic texts to trace the history of the Bielefeld School and its critics. In a second step, we will discuss the significance of the Bielefeld program for historiography in the present.

Dissertation Prize

I’m honoured to announce that my dissertation “Zeichen des Verfalls. Semantische Studien zur Entstehung der Kulturkritik im 18. und frühen 19. Jahrhundert” has been awarded the dissertation prize 2011 of the Westfälisch-Lippische Universitätsgesellschaft.

The prize will be presented by the Gesellschafts chairman, Ortwin Goldbeck, on February 24th, 2012 at the Centre for Interdisciplinary Research in Bielefeld.

An account of the ceremony with a photo is to be found here.

An article I wrote on the concept of Counter-Enlightenment has been published in the proceedings of a conference I attended last year in Bern, Switzerland.

My contribution takes its starting point from the observation that a large part of the debate about the meaning(s) of Enlightenment in the present is structured around a pair of mutually exclusive counter-concepts: Enlightenment and Counter-Enlightenment. Tracing this opposition back to its most influential proponent, Isaiah Berlin, and ultimately to its emergence in the Eighteenth Century itself, I argue for a less schematic approach taking into account recent historical research especially in the field of historical semantics. Thus, a better understanding of the different meanings and uses of the concepts of Enlightenment and Counter-Enlightenment in the past may also shed light on our current debates about the relevance of the Enlightenment tradition to our own culture today.

The volume also includes interesting contributions by (among others) Claudia Honegger, Urs Stäheli, Hartmut Rosa and Andreas Langenohl. For more information, please click here and here.

Theo Jung, Gegenaufklärung. Ein Begriff zwischen Aufklärung und Gegenwart, in: Dietmar J. Wetzel (Hg.), Perspektiven der Aufklärung. Zwischen Mythos und Realität (= Laboratorium Aufklärung, Bd. 12), München 2012, S. 87–100.

Next March, I will be attending the 33rd annual conference of the Ninteenth Century Studies Association in Asheville, North Carolina. The title of the paper I will present is ‘Spiritual Power in a Secular Age: The ‘Spirit of the Age’ in Early 19th Century Politics’.

For more information, see here.

This winter semester, I will again be teaching two courses.

The Salon: a Form of Enlightened Sociability
The social life of the Ancien Régime has never lost its fascination. In many books and movies, a world is evoked in which beautifully dressed gentlemen and ladies cultivate a witty and light-footed conversation. The central and most famous form of this type of elitist sociability was, without a doubt, the salon. In this setting, an exquisite circle of guests of all sorts met under the gentle guidance of an elegant hostess. Drawing upon French and ‘German’ cases from the 18th and 19th centuries, this seminar studies the social, cultural and gender dimensions of this social form in their historical development. Its focus will lie on several questions which have been the subject of heated historiographical debate. Were these salons hatcheries of Enlightenment thought, of emerging civil society or of women’s emancipation, or did they rather represent a late – and ultimately dying – branch of aristocratic (court) culture? In the conversations that built the central element of any salon, what was the relationship between serious discussion and lighthearted amusement? Were the salons able to adjust to the new political environment after the French Revolution, or did the rise of bourgeois society spell their end?

Enlightenment and Revolution: Reading Course on French Sources
The French Revolution is often thought of as the birthplace of European modernity. Contemporaries were already very aware of its significance and debated about its various causes. Central among these was a diffuse set of phenomena that would gradually come to be subsumed under the title of ‘Enlightenment’. In this context, a controversial debate about the relationship between ‘Enlightenment’ and ‘Revolution’ emerged that has not quieted down since. Reading French primary sources (pamphlets, theatre, speeches, lexicon articles, etc.), this course will trace the political dimension of the Enlightenment as it was understood before, during and after the French Revolution.

I just received confirmation that the manuscript of my dissertation has been approved by the board of editors of the book series ‘Historische Semantik‘. This means that if all formalities add up, the final version of the text may appear in this prestigious series published by Vandenhoeck & Ruprecht, a publishing house with a tradition going back more than 275 years. Though the process of editing will take some time, a publication date in 2012 seems feasible.

The editorial board consisted of Prof. Dr. Bernhard Jussen (Frankfurt / M), Prof. Dr. Christien Kiening (Zürich), Prof. Dr. Klaus Krüger (Berlin) and Prof. Dr. Willibald Steinmetz (Bielefeld).

Next Tuesday, June 7th, I will be presenting my new research project on the history of silence in the Research Colloquium organized by Prof. Dr. Leonhard and PD. Dr. Goltermann. Under the title: “At the limits of language: building blocks for a comparative history of silence in the ‘long’ 19th century’, I will address some major theoretical and methodological issues I would like to explore in a research project currently taking shape. All are welcome to attend.

Link to the programme.