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Next week, 24 and 25 September, I’ll be participating in a workshop held in Marburg, titled:

Aristokratismus. Historische und literarische Semantik von ‘Adel’ zwischen Kulturkritik der Jahrhundertwende und Nationalsozialismus (1890-1945).

Aristocratism. Historical and Literary Semantics of ‘Aristocracy’ between Cultural Criticism of the Turn of the Century and National Socialism (1890-1945)

The workshop is part of a DFG-funded research project on the same theme and is organized by Prof. Dr. Eckart Conze, PD Dr. Jochen Strobel, Daniel Thiel und Jan de Vries.

My paper pursues a diachronic comparison of German discourses of cultural criticism around 1800 and around 1900, focussing on the differences in the use of semantics of aristocracy in these contexts. Thus, the paper offers an empirical case study using a model distinguishing between four dimensions of change in the history of cultural criticism I formulated last year on a conference in Heidelberg (soon to be published in its proceedings).

The Call for Papers for the Marburg workshop may be found here.

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Next week, I will be presenting a paper at an academic workshop organized by Juri Auderset, Andreas Behr, Philipp Müller and Aline Steinbrecher at the University of Fribourg (CH). The workshop’s topic is “Zeiterfahrung. Untersuchungen über Beschleunigung und Entschleunigung von Geschichte” (Temporal Experience: Studies on Acceleration and Deceleration in History). It’s ultimate goal is to prepare a special issue of the journal Traverse: Zeitschrift für Geschichte in 2016.

The topic of my paper is the variety of discourses of acceleration in nineteenth century germany. Considering the influential views of accelleration formulated by Hartmut Rosa and Reinhart Koselleck in terms of attempts at a general temporal theory of modernization, the paper points to the method of Historical Semantics as a way to more fruitfully  consider the plurality of experiences and discourses of temporality in this period. Instead of searching for a single, specific temporality of the modern era, the paper argues for a differentiated view of the pluriform ways in which contemporaries experienced the temporal nature of their own present.

See here for the call for fapers and here for the workshop’s program.

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